Solos Within The Recording Studio
I’ve intensive experience within the recording studio, laying down guitar tracks for my previous three rock bands. And of course, a lot of those tracks encompass the fast lead guitaring that I dig so much. I thought I’d take the time to state, as finest I’m able to, the expertise I had in laying those solo tracks down to tape.
First, the way the cabinet was mic’d. I realized a factor of two from my producer concerning this. Typically, he would place the Marshall cabinet face in to a corner of the room, and mic one of the speakers. Then, he’d run an ambient mic within the opposite nook, sometimes as a lot as 35 toes means from the cabinet. The mixture of mics gave the solos a fuller sound than simply working one mic on a speaker.
Occasionally, for guitar solos that required a crystal-clear sound, he’s bypass the cabinet altogether and run a line out of the top straight into the board. Personally, I didn’t look after this sound, as it appeared to me to be a bit sterile. In these situations, I was sometime in a position to talk him into a mixture of the line-in technique with the micing of a cab. However always, considered one of these methods did the job fairly nicely.
My solos had been at all times recorded dry- no FX whatsoever. Hey, that makes complete sense- why remain committed to a certain delay or refrain when you’ll be able to change that within the mix with the board’s onboard FX? learn lead guitar
Every time doable, I’d document the solo straight through, as I felt it gave it a extra ‘human’ feel. But sometimes, of the solo was significantly long or advanced, I’d have to punch in midway by in order to achieve a perfect guitar solo (hey, I never said I used to be good). Fortunately for me, my producer was a grasp at punching in- I was by no means capable of tell that the method had been used. Made me sound higher than I was! The nice thing was, after I played it so many occasions, enjoying that very same, uninterrupted solo live was not normally an issue.
Finally, the matter of double-tracking and/or recording concord guitar parts. This to me was the icing on the cake- I liked doing this. I used to be always a huge Brian May and Queen fan, so I took every likelihood I might to recommend this to my producer and fellow band mates. Most of the time, I bought my way. In fact, it made re-producing the solo reside somewhat of a challenge. OK, it made it inconceivable, but I couldn’t pass up the chance to layer these harmonies! It all the time made the solo tracks thicker and richer, rather more regal in my humble opinion.
So- these are some of the distinct differences in soloing within the studio vs. playing your chops live. Both have their place and their strengths. My hope is that for those who’ve by no means been to the studio before but can be going quickly, you may strive some of these suggestions from a rocker such as I….
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